Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Novels for Students (NfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN NfS, VOLUME 18, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

College Literature, v. 1, fall, 1974. Copyright © 1974 by West Chester University. Reproduced by permission.—Criticism: A Quarterly for Literature and the Arts, v. VIX, summer, 1972. Copyright, 1972, Wayne State University Press. Reproduced by permission of the publisher.—Education, v. 120, fall, 1999. Reproduced by permission.—ELH, v. 66, fall, 1999. Copyright © 1999 by The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Journal of Narrative Technique, v. 9, fall, 1979. Reproduced by permission.—Modern Fiction Studies, v. XV, autumn, 1969. Copyright © 1969 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University.—Publishing Research Quarterly, v. 8, spring, 1992. Reproduced by permission of Transaction Publishers.—Queen's Quarterly, v. LXXIX, winter, 1972 for "Dracula: Bram Stoker's Spoiled Masterpiece" by Royce MacGillivray. Reproduced by permission of the author.—Renascence, v. XXXV, summer, 1983. © copyright, 1983, Marquette University Press. Reproduced by permission.—Review of Contemporary Fiction, v. 9, summer, 1989. Reproduced by permission.—Salmagundi, n. 73, winter, 1987. Copyright © 1987 by Skidmore College. Reproduced by permission.—South Atlantic Quarterly, v. 63, spring, 1964. Copyright © 1964 by Duke University Press, Durham, NC. Reproduced by permission.—Southern Humanities Review, v. 18, winter, 1984 for "The Narrator in Look Homeward, Angel" by Hugh M. Ruppersburg. Copyright 1984 by Auburn University. Reproduced by permission of the author.—Studies in the Literary Imagination, v. XXIII, fall, 1990. Copyright 1990 Department of English, Georgia State University. Reproduced by permission.—Twentieth Century Literature, v. 35, spring, 1989. Copyright 1989, Hofstra University Press. Reproduced by permission.

COPYRIGHTED MATERIALS IN NfS, VOLUME 18, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Campbell, Patricia J. From Presenting Robert Cormier. Dell Publishing, 1990. Copyright © 1985, 1989 by G. K. Hall & Co. Reproduced by permission.—Wilt, Judith. From Abortion, Choice, and Contemporary Fiction: The Armageddon of the Maternal Instinct. The University of Chicago Press, 1990. © 1990 by The University of Chicago. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NfS, VOLUME 18, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Allende, Isabel, photograph. Archive Photos. Reproduced by permission.—Austen, Jane, illustration. © Bettmann/Corbis. Reproduced by permission.—Bus traveling up Eagle Street, photograph. © Bettmann/Corbis. Reproduced by permission.—Donegan, Lonnie, and his skiffle group, photograph © Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Emma Thompson, Kate Winslet and Gemma Jones in the film Sense and Sensibility, photograph. The Kobal Collection. Reproduced by permission.—Finney, Albert and Diane Cilento in the film Tom Jones, 1963, photograph. The Kobal Collection. Reproduced by permission.—Forrest, Frederic as Tom Black Bull, Richard Widmark as Red Dillon, scene from Hal Borland's When the Legends Die, directed by Stuart Millar. The Kobal Collection. Reproduced by permission.—French gunners keep watch from the observation balcony of a screened trench, at Verdun, photograph. © Bettmann/Corbis. Reproduced by permission.—Gold miners, panning for gold at a river, photograph. © Hulton Archive/Getty Images. Reproduced by permission.—Group of Ute Indians in Salt Lake City, Utah, photograph. © Hulton/Archive Photos, Inc. Reproduced by permission.—Helen Chandler, as Mina Seward, with Bela Lugosi, as Count Dracula, clutching her neck, a scene from the 1931 film version of Dracula, photograph. The Kobal Collection. Reproduced by permission.—Henry Fielding, engraving. The Library of Congress.—Irons, Jeremy as Tom Crick, embracing Sinead Cusack, as Mary Crick, a scene from the 1992 film of Graham Swift's Waterland, photograph. The Kobal Collection. Reproduced by permission.—Juliette Binoche, as Tereza, with arm around Daniel Day-Lewis, as Tomas, a scene from the 1987 film version of Milan Kundera's novel, The Unbearable Lightness of Being, photograph. The Kobal Collection. Reproduced by permission.—Lawrence, D. H., photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Men in small boats, fishing near tall ships, in the harbor off Valparaiso, Chile, in 1851, photograph. © Corbis. Reproduced by permission.—Murdoch, Iris, photograph. The Library of Congress.—Nixon, Richard Millhous, Patricia Nixion-Cox, (Nixon at podium), Washington D. C., 1974, photograph. The Library of Congress.—Price, Reynolds, photograph by Grant Halverson. AP/Wide World Photos. Reproduced by permission.—Queneau, Raymond, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Stoker, Bram, 1906, photograph. AP/Wide World Photos. Reproduced by permission.—Student demonstrators, link arms while singing "We Shall Overcome," outside the United States Consulate, in Toronto, Canada, photograph. © UPI Telephoto/Corbis. Reproduced by permission.—Swift, Graham, holding his novel, 1996, photograph by Lynne Sladky. AP/Wide World Photos. Reproduced by permission.—Tepes, Vlad (Dracula), engraving from a painting. © Hulton Archive/Getty Images. Reproduced by permission.—Trevor Howard, as Walter Morel, sitting, watching Dean Stockwell, as Paul Morel, a scene from the 1960 film version of Sons and Lovers, photograph. The Kobal Collection. Reproduced by permission.—Kundera, Milan, photograph by Vera Kundera. Reproduced by permission.—Wolfe, Thomas, painting. The Library of Congress.—Worker filling sandbags to use as a barricade against the swollen waters of a river, photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Young man walking alongside marching Soviet troops in Prague, photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.