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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Poetry for Students (PfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN PfS, VOLUME 19, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Americas Review, v. xviii, Spring, 1990. Arte Publico Press 1990 University of Houston. Reproduced by permission.—Dalhousie Review, v. 51, Summer, 1971 for "Tennyson's In Memoriam as Love Poetry," by Joanne P. Zuckermann. Reproduced by permission of the publisher and the author.—Journal of Modern Literature, Summer, 2000. Copyright 2000 Indiana University Press. Reproduced by permission.—Ploughshares, v. 25, Spring 1999 for "Social Life," by Tony Hoagland. Copyright 1999 by Tony Hoagland. Reproduced by permission of the author.—Poetry, v. 173, December, 1998 for "I Praise My Destroyer," by John Taylor. © 1998 by the Modern Poetry Association. Reproduced by permission of the Editor of Poetry and the author.—Prairie Schooner, v. 75, Fall, 2001. © 2001 by University of Nebraska Press. Reproduced from Prairie Schooner by permission of the University of Nebraska Press.—Raritan: A Quarterly Review, v. 21, Winter, 2002. Copyright © 2002 by Raritan: A Quarterly Review. Reproduced by permission.—Southern Humanities Review, v. 7, Spring, 1973. Copyright 1973 by Auburn University. Reproduced by permission.—The Virginia Quarterly Review, v. 62, Autumn, 1986. Copyright, 1986, by The Virginia Quarterly Review, The University of Virginia. Reproduced by permission of the publisher.

COPYRIGHTED MATERIALS IN PfS, VOLUME 19, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Ammons, A. R. From Briefings: Poems Small and Easy. W.W. Norton & Company, Inc. Copyright © 1971 by A. R. Ammons. Reproduced by permission.—Bass, Ellen. From Mules of Love. BOA Editions, Ltd., 2002. Copyright © 2002 by Ellen Bass. All rights reserved. Reproduced by permission.—Bradley, A.C. From A Commentary on Tennyson's in Memoriam. Archon Books, 1966. Reproduced by permission.—Capri-Karka, C. FromLove and Symbolic Journey in the Poetry of Cavafy, Eliot, and Seferis. Pella Publishing Company, 1982. Copyright © 1982 by Carmen Karka. All rights reserved. Reproduced by permission.—Cavafy, C.P. From C.P. Cavafy: Collected Poems. Edited by George Savidis. Translated by Edmund Keeley and Philip Sherrard. Princeton University Press, 1975. Translation © 1975 Edmund Keeley and Philip Sherrard. All rights reserved. Reproduced by permission of Princeton University Press.—Hacker, Marilyn. From Squares and Courtyards. W.W. Norton & Co., 2000. Copyright © 2000 by Marilyn Hacker. All rights reserved. Reproduced by permission.—Ostriker, Alicia. FromThe Little Space. University of Pittsburgh Press, 1998. Copyright © 1998, Alicia Suskin Ostriker. Reproduced by permission.—Rilke, Rainer Maria. From Selected Poems of Rainer Maria Rilke. Harper & Row, Publishers, 1979. Copyright © 1981 by Robert Bly. All rights reserved. Reproduced by permission of HarperCollins Publishers.—Tennyson, Alfred. From In Memoriam, Maud and Other Poems. J. M. Dent & Sons Limited, 1974. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PfS, VOLUME 19, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Ackerman, Diane, photograph by Toshi Otsuki. © 1996 The Hearst Corporation. Reproduced by permission.—Ammons, A.R., E. Annie Proulx, New York City, 1993, photograph by Ron Frenm. AP/Wide World Photos. Reproduced by permission.—Bass, Ellen looking at camera, photograph by Joan Bobkoff. Joan Bobkoff Photography. Reproduced by permission.—Chambord, Chateau, built by Henry II, photograph by Adam Wooliftt. Corbis. Reproduced by permission.—Cisneros, Sandra, 1991, photograph by Dana Tynan. AP/Wide World Photos. Reproduced by permission.—Cummings, E. E. (wearing a dark coat, looking at camera), photograph. The Library of Congress.—Fountain of Persephone in front of the town hall in Pozan, Poland, photograph by Ludovic Maisant. Corbis. Reproduced by permission.—Hacker, Marilyn, 1975, photograph. AP/Wide World Photos. Reproduced by permission.—Hoagland, Tony, photograph by Dorothy Alexander. Reproduced by permission.—Hughes, Ted and wife Carol, 1984, photograph. AP/Wide World Photos. Reproduced by permission.—Lord Tennyson, Alfred, photograph. AP/Wide World Photos. Reproduced by permission.—Ostriker, Alicia, photograph by J. P. Ostriker. Reproduced by permission of Alicia Ostriker.—Rilke, Rainer Maria, photograph. Corbis-Bettmann. Reproduced by permission.—Snyder, Gary, photograph. AP/Wide World Photos. Reproduced by permission.—Stone, Ruth, as she receives the 2002 National Book Award for poetry, photograph Mark Lennihan. AP/Wide World Photos. Reproduced by permission.—Odyssey Sirens, photograph. Mary Evans Picture Library. Reproduced by permission.—Ondaatje, Michael, photograph by Thomas Victor. Reproduced by permission of the Harriet M. Spurlin on behalf of the Estate of Thomas Victor.

Acknowledgments

© 2004 by Gale. Gale is an imprint of Gale, Inc., a division of Thomson Learning Inc.

All rights reserved



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