Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Poetry for Students (PfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN PfS, VOLUME 22, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The American Book Review, v. 18, April, 1996. Reproduced by permission.—Antioch Review, v. 62, winter, 2004; v. 62, winter, 2004; v. 62, summer, 2004. All reproduced by permission of the editors.—Book Magazine, March–April, 1999 for an interview with Mary Jo Salter by Stephen R. Whited. Copyright © 1999 Mary Jo Salter and Stephen R. Whited. Reproduced by permission of the authors.—Booklist, v. 100, November 1, 2003. Copyright © 2003 by the American Library Association. Reproduced by permission.—Classical and Modern Literature, v. 6, winter, 1986. Copyright © 1986 CML Inc.. Reproduced by permission.—College English, v. 27, March, 1966. Copyright © 1966 by the National Council of Teachers of English. Reproduced by permission.—Cross Currents, v. 3, 1984. Copyright © 1984 Department of Slavic Languages and Literatures, University of Michigan, Ann Arbor. Reproduced by permission.—Huntington Library Quarterly, v. 34, 1970 for "'The Passionate Sheepheard' and 'The Nimphs Reply': A Study in Transmission," by Susanne Woods. Copyright © 1970 by The Henry E. Huntington Library and Art Gallery. All rights reserved. Reproduced by permission of the publisher and the author.—International Examiner, February 3, 2004. Copyright © 2004 International Examiner. Reproduced by permission.—Jewish News Weekly, November 3, 2000. Copyright © 2000 San Francisco Jewish Community Publications, Inc., and the Jewish News Weekly of Northern California. All rights reserved. Reproduced by permission.—Kenyon Review, v. 22, 2000 in "The Question of Affirmation and Despair," by Edward Hirsch and Tod Marshall. Copyright © 2000 by Kenyon College. All rights reserved. Reproduced by permission of the authors.—Library Journal, January, 2002; August, 2002; v. 128, December 15, 2003. All reprinted by permission of the publisher.—Polish Review, v. 30, 1985. Copyright © 1985 The Polish Institute of Arts and Sciences. Reproduced by permission.—Publishers Weekly, June 26, 1995. Copyright © 1995 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA, by permission.—Tulsa Studies in Women's Literature, v. 20, fall, 2001 for "Beautiful Labors: Lyricism and Feminist Revisions in Eavan Boland's Poetry," by Christy Burns. Copyright © 2001 The University of Tulsa. All rights reserved. Reproduced by permission of the publisher and the author.—The Yale Review, v. 90, July, 2002. Copyright © 2002 Basil Blackwell Ltd. Reproduced by permission of Blackwell Publishers.

COPYRIGHTED MATERIALS IN PfS, VOLUME 22, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Alexander, Elizabeth. From Antebellum Dream Book. Graywolf Press, 2001. Copyright © 2001 by Elizabeth Alexander. Reprinted with the permission of Graywolf Press, Saint Paul, Minnesota.—Gale, "Brigit Pegeen Kelly," Contemporary Authors Online. Reproduced by permission of The Gale Group.—Gale, "Eavan Boland," Contemporary Authors Online. Reproduced by permission of The Gale Group.—Gale, "Edward Hirsch," Contemporary Authors Online. Reproduced by permission of The Gale Group.—Gale, "Eugenio Montale," Contemporary Authors Online. Reproduced by permission of The Gale Group.—Gale, "Marge Piercy," Contemporary Authors Online, Reproduced by permission of The Gale Group.—Gale, "Mary Jo Salter," Contemporary Authors Online. Reproduced by permission of The Gale Group.—Gale, "Paul Muldoon," Contemporary Authors Online. Reproduced by permission of The Gale Group.—Gale, "Susan A. Stewart," Contemporary Authors Online. Reproduced by permission of The Gale Group.—Gale, "Zbigniew Herbert," Contemporary Authors Online. Reproduced by permission of The Gale Group.—Hester, M. Thomas. From "'Like a Spyed Spie': Donne's Baiting of Marlowe," in Literary Circles and Cultural Communities in Renaissance England. Edited by Claude J. Summers and Ted-Larry Pebworth. University of Missouri Press, 2000. Copyright © 2000 by the Curators of the University of Missouri. Reproduced by permission of the University of Missouri Press.—Hirsch, Edward. From Wild Gratitude. Alfred A. Knopf, 1996. Copyright © 1985 by Edward Hirsch. Used by permission of Alfred A. Knopf, a division of Random House, Inc.—Kelly, Brigit Pegeen. From The Orchard. BOA Editions, 2004. Copyright © 2004 by Brigit Pegeen Kelly. Reprinted with the permission of BOA Editions, Ltd., www.BOA Editions.org.—Lazić, Radmila. From A Wake for the Living. Graywolf Press, 2003. English translation from the Serbian copyright 2003 by Charles Simic. Reprinted with the permission of Graywolf Press, Saint Paul, Minnesota.—Montale, Eugenio. From "On the Threshold," in Collected Poems: 1920–1954. Translated and edited by Jonathan Galassi. Farrar, Straus and Giroux, 1998. Translation copyright © 1998 by Jonathan Galassi. Reprinted by permission of Farrar, Straus and Giroux, LLC, in the UK by Carcanet Press Limited.—Salter, Mary Jo. From Open Shutters: Poems. Alfred A. Knopf, 2003. Copyright © 2003 by Mary Jo Salter. Used by permission of Alfred A. Knopf, a division of Random House, Inc.—Stewart, Susan A. From The Forest. The University of Chicago Press, 1995. Copyright © 1995 by Susan A. Stewart. All rights reserved. Reproduced by permission of the author.—West, Rebecca J. From Eugenio Montale: Poet on the Edge. Harvard University Press, 1981. Copyright © 1981 by the President and Fellows of Harvard College. Reproduced by permission of the publisher.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PfS, VOLUME 22, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Alexander, Elizabeth, photograph by Firce Ghebreyesus. Courtesy of Graywolf Press.—Boland, Eavan, photograph by Kevin Casey. Reproduced by permission of Kevin Casey.—Frescos showing trompe l'oeil by Giovanni Battista Crosato, photograph. The Art Archive/Dagli Orti. Reproduced by permission.—Herbert, Zbigniew, photograph. © Jerry Bauer. Reproduced by permission.—Kelly, Brigit Pegeen, photography by Mack Madonick. Boa Editions, Ltd.—Kipling, Rudyard, circa 1910–1920, photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Lazić, Radmila, photograph by Nenad Milosevic. Courtesy of Graywolf Press.—Marlowe, Christopher, engraving circa 1585, photograph. Hulton Archive/Getty Images. Reproduced by permission.—Montale, Eugenio, circa 1975, photograph. Keystone/Getty Images. Reproduced by permission.—Muldoon, Paul, photograph. © Jerry Bauer. Reproduced by permission.—Ophelia by John William Waterhouse, photograph. © Christie's Images/Corbis. Reproduced by permission.—Ovid, drawing. Source unknown.—Piercy, Marge, photograph. © Jerry Bauer. Reproduced by permission.—Satyr, ancient European statue, photograph. © Araldo de Luca/Corbis. Reproduced by permission.—Seagulls fly over Puget Sound, photograph. Richard Olsenius/Getty Images. Reproduced by permission.—Tree in lowland rainforest, photograph. © Kevin Schafer/Corbis. Reproduced by permission.—Whitman, Walt, photograph. The Library of Congress.